My artistic practice is deeply rooted in my personal experience of migration from rural to urban Bengal in the 1980s, a phenomenon that has significantly impacted my work. Through my images, I explore themes of dislocation, displacement, and the search for a new sense of home. By revisiting the same places over time, I create layered narratives that incorporate personal and collective memories, while highlighting the isolation and struggle that are often a part of the migrant experience.

One of the key elements of my work is the insertion of images of my family within the frame, which serves to create a sense of continuity and belonging across time. My images are imperfect, often bearing the marks of the organic chemicals and printing processes used to create them. These imperfections serve as a reminder of the uniqueness and complexity of the human experience, and the fact that no two moments can ever be exactly the same.

Throughout my practice, I have experimented with a variety of techniques and visual elements, often incorporating defects, technical errors, and intentional scratches to create a sense of texture and depth. Ultimately, my work is a testament to the power of personal experience and memory, and the ways in which they shape our understanding of the world around us.